The Return to Hitchcock 205

After making it back home, we all had the weekend to recover from the three weeks of nonstop working, from the first week of journalistic boot camp, to the two weeks in Nogales of interviewing people, capturing b-roll, and waking up extremely early. But after that, we got right back into the grind of getting work done; this time, it wouldn’t be to capture more b-roll or conduct anymore interviews, but to begin the process of putting our documentary together.

We spent a week and a half doing all the tedious work that you don’t think about when you think of what goes into making a film of any kind: We had to lay out the story of what the documentary would be about, transcribe all the interviews that we conducted, organize the interviews into a coherent story outline, and compile sequences of b-roll to make the film look nice. While tedious, we were all extremely efficient in what we were doing. Transcribing our interviews only took a day, putting together b-roll took maybe two or three, and getting our story outlined and laid out in Final Cut Pro all took place within one week.

By the end of the first week, we had already gotten a nice rough cut of what our film would look like, regardless of it being 20 or so minutes over our maximum given time. After that it was simply refining the interview clips we used by shortening sections of them, picking and choosing what we wanted to keep and what we could do without, and a lot of rearranging of the clips to make a more understandable story.

Both the teams, the editors and the storyboarders, did a great job of getting everything done in a timely manner, and Nico, the master of film, did an even more phenomenal job of putting everything together to create a rough cut we were all happy with. I know that all of us are excited to see the full final cut that Nico creates, and know we will all be extremely happy with the end product.

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